Screenings of New Film by Trinh T. Minh-ha
Trinh Minh-ha's new film, Forgetting Vietnam (90mins), has been premiered in the International Competition of the 2016 Film Festival Cinéma du Réel in Paris at the Centre Pompidou. It will show in California at the following places and dates:
Los Angeles Asian Pacific Film Festival
Saturday, April 23rd at 2:00 pm
Tateuchi Democracy Forum, 111 North Central Ave., Los Angeles, CA 90012
California State University, Sacramento
Saturday, April 16 at 6:00 pm
Hinde Auditorium of the University Student Union
Yerba Buena Center for the Arts
Thursday & Friday, May 12th & 13th at 7: 30 pm
701 Mission Street, San Francisco, CA 94103
Vietnam in ancient times was named đất nứớc vạn xuân – the land of ten thousand springs. One of the myths surrounding the creation of Vietnam involves a fight between two dragons whose intertwined bodies fell into the South China Sea and formed Vietnam’s curving ‘S’ shaped coastline. Legend also has it that Vietnam’s ancestors were born from the union of a Dragon King, Lạc Long Quân and a fairy, Âu Cơ. Âu Cơ was a mythical bird that swallowed a handful of earthly soil and consequently lost the power to return to the 36th Heaven. Her tears formed Vietnam’s myriad rivers and the country’s recurring floods are the land’s way of remembering her.
In her geo-political situation, Vietnam thrives on a fragile equilibrium between land and water management. A life-sustaining power, water is evoked in every aspect of the culture.
Shot in Hi-8 video in 1995 and in HD and SD in 2012, the images unfold spatially as a dialogue between the two elements—land and water—that underlie the formation of the term “country” (đất nứớc). Carrying the histories of both visual technology and Vietnam’s political reality, these images are also meant to feature the encounter between the ancient as related to the solid earth, and the new as related to the liquid changes in a time of rapid globalization. In conversation with these two parts is a third space, that of historical and cultural re-memory – or what local inhabitants, immigrants and veterans remember of yesterday’s stories to comment on today’s events. Through the insights of these witnesses to one of America’s most divisive wars, Vietnam’s specter and her contributions to world history remain both present and all too easy to forget. Touching on a trauma of international scale, Forgetting Vietnam is made in commemoration of the 40th anniversary of the end of the war and of its survivors.