Van Gogh on Demand: China and the Readymade (University of Chicago Press, 2014).
Reconsidering the 2006 MIT Visualizing Cultures Controversy: National Histories, Visual Cultures, and Digital Dissent, co-edited with Jing Wang, positions: asia critique, February 2015. (link)
Learning from Shenzhen: China’s Post-Mao Experiment from Special Zone to Urban Model, co-edited with Mary Ann O’Donnell and Jonathan Bach (University of Chicago Press), 2017. (link)
Portability, Thresholds 34, (MIT: Department of Architecture), Fall 2007. (link)
“Imperfect Facsimiles: The Library and the Museum,” Law & Literature, 2021. (link)
“Not Exactly the Same: On the Fantasy of Chinese Architectural Copies,” ed. A. Lawrence and A. Miljacki, in Terms of Appropriation: Modern Architecture and Global Exchange (London: Routledge), January 2018. (pdf)
“Lover of the Strange, Sympathizer of the Rude, Barbarianologist of the Farthest Peripheries,” Conjectures series ed. D Graham Burnett, The Public Domain Review, July 2017. (link)
“Speculative Authorship and the City of Fakes,” in “New Media, New Publics?” Current Anthropology 58:S15, Feb 2017. (link)
“Time is Money, Efficiency is Life,” in “Reflections on Durational Art,” Representations, 136:1, Fall 2016. (link)
“Lantern Slide Moments and the Taught Subject, 1906 and 2006,” positions: asia critique, February 2015. (pdf)
“The Panda Man and the Anti-Counterfeiting Hero: Art, Activism, and Appropriation in Contemporary China,” Journal of Visual Culture, April 2012. (pdf)
“Ambience as Commodity: Experience Design and the Legal Expansion of ‘Trade Dress,'” Future Anterior, May 2012. (pdf)
“The Unskilled Migrant,” Third Text Asia, Spring 2010.
“Framed Authors: Photography and Conceptual Art From Dafen Village,” Yishu: Journal of Chinese Contemporary Art, July 2008.
“The Colour of Colour,” Matthew Wong: Blue View (Toronto: Art Gallery of Ontario), 2021. (pdf)
“On the Mountain of the Hermits: ‘The Becoming of Feathered Beings,” Critical Times 4:2, 2021. (link)
“Tales from Dafen,” Collateral: Online Journal for Close Cultural Reading, Cluster 29: Taking Exception to Autonomy: On Arne De Boever’s Against Aesthetic Exceptionalism. (link)
“Genius from Nowhere, Postcards from Matthew Wong,” in Matthew Wong, Postcards, Karma Books, NY, 2020. (pdf)
“On Smallness in Hong Kong Art,” M+ Museum of Visual Culture, Podium, No. 1. (link)
“Arresting Development: Winnie Wong on China’s Museum Boom,” Artforum, Nov 2015. (pdf)
“On Architectural Copies,” Artforum, March 2014. (pdf)
Review: Weiwei-isms by Ai Weiwei, The China Journal, 71, January 2014.
“New Work: Liu Ding,” Art World, June/July 2009.
“Die Geschichte von Big Beard” and “Die Geschichte von Peng Bide,” Kinaland, ed. Gesine Danckwart, trans. Anja Goette, Blumenbar Verlag 2009.
“Xiao Xiong: Enter and Exit,” Thresholds 34, Fall 2007. (pdf)
“The Catalog by Dung Kai-Cheung,” exh. cat. Branded and On Display, Krannert Art Museum, 2006. (pdf)
“The Problem Solvers/Cine va Rezolva Problemele?,” OMaGiu, ed. and trans. Mihnea Mircan, Fall 2006.