Mario Telò

This book gathers a group of scholars whose work has been influenced by the distinctive dialogue between ancient philosophy (and rhetoric) and critical theory promoted by the scholarship of James I. Porter. A classicist who has pushed classics beyond itself – beyond its traditional boundaries – Porter has demonstrated that antiquity cannot be studied without participating in what is sometimes dismissively labeled “reception.”

The collection here does not simply celebrate the work of a major figure in the field of classics through a series of Porterian writing...

Roman Comedy against the Subject provides an expansive interpretation of four Roman comedies named after objects--Plautus's Cistellaria, Aulularia, and Rudens, and Terence's Eunuchus. In this book, the titular object provides an opportunity not to reconceive the relational politics of Roman comedy, but to conceive a different politics of familial and social relations with Roman comedy. Employing object-oriented ontology, psychoanalysis, queer theory, and Black critical theory, the book...

Recent scholarship has acknowledged that the intertextual discourse of ancient comedy with previous and contemporary literary traditions is not limited to tragedy. This book is a timely response to the more sophisticated and theory-grounded way of viewing comedy's interactions with its cultural and intellectual context. It shows that in the process of its self-definition, comedy emerges as voracious and multifarious with a wide spectrum of literary, sub-literary and paraliterary traditions, the engagement with which emerges as central to its projected literary identity and,...

Edited by Sean Gurd, Mario Telò

Contributors Karen Bassi, Carol Dougherty, Sean Gurd, Ahuvia Kahane,...