This book offers an account of the origins of modern English autobiographical writing, which the author locates in the seventeenth and eighteenth centuries, and it links the development of this genre with the emergence of modern ideas of the self, where self-identity becomes its own object and telos.
The author's analytic framework for assessing the evolution of autobiographical practice is broadly cultural; he views autobiographical practice as a public performance, an assertion of new forms of self-identity. Throughout his analysis, he seeks to bring together a complex...