|
Nietzsche and the Philology of the Future |
James I. Porter |
2000 |
Book |
|
The Invention of Dionysus: An Essay on “The Birth of Tragedy” |
James I. Porter |
2000 |
Book |
|
Re-inventing Film Studies |
Linda Williams; Christine Gledhill |
2000 |
Edited Volume |
|
Dying for God: Martyrdom and the Making of Christianity and Judaism |
Daniel Boyarin |
2000 |
Book |
|
Consequences of Enlightenment: Aesthetics as Critique |
Anthony Cascardi |
1999 |
Book |
|
Literary Debate – Postwar French Thought Vol. II |
Ramona Naddaff; Denis Hollier; Jeffrey Mehlman |
1999 |
Book |
|
Nothing But Ways |
Trinh Minh-ha |
1999 |
Exhibition |
|
Cinema Interval |
Trinh Minh-ha |
1999 |
Book |
|
Constructions of the Classical Body |
James I. Porter |
1999 |
Edited Volume |
|
Cosmopolitics: Thinking and Feeling beyond the Nation |
Pheng Cheah; Bruce Robbins |
1998 |
Edited Volume |
|
Histories – Postwar French Thought Vol. I |
Ramona Naddaff; Jacques Revel; Lynn Hunt |
1998 |
Book |
|
Everyday Practices and Trouble Cases: Fundamental Issues in Law and Society Research |
Marianne Constable; Austin Sarat; David Engel; Valerie Hans; Susan Lawrence |
1998 |
Edited Volume |
|
A Radical Jew: Paul and the Politics of Identity |
Daniel Boyarin |
1997 |
Book |
|
Origins of the Individualist Self: Autobiography and Self-Identity in England, 1591-1791 |
Michael Mascuch |
1997 |
Book |
|
Drawn from African Dwellings |
Trinh Minh-ha; Jean-Paul Bourdier |
1997 |
Book |
|
Photo-montage |
Trinh Minh-ha; Jean- Paul Bourdier |
1995 |
Exhibition |
|
Carnal Israel: Reading Sex in Talmudic Culture |
Daniel Boyarin |
1995 |
Book |
|
A Tale of Love |
Trinh Minh-ha |
1995 |
Film |
|
Intertextuality and the Reading of Midrash |
Daniel Boyarin |
1994 |
Book |
|
Viewing Positions: Ways of Seeing Film |
Linda Williams |
1994 |
Edited Volume |
|
The Law of the Other: The Mixed Jury and Changing Conceptions of Citizenship, Law and Knowledge |
Marianne Constable |
1994 |
Book |
|
Out There: Marginalisation and Contemporary Culture |
Trinh Minh-ha; Russell Ferguson; Martha Gever; Cornel West; Felix Gonzales-Torres |
1992 |
Edited Volume |
|
The Subject of Modernity |
Anthony Cascardi |
1992 |
Book |
|
Framer Framed |
Trinh Minh-ha |
1992 |
Book |
|
Shoot for the Contents |
Trinh Minh-ha |
1991 |
Film |
|
When the Moon Waxes Red: Representation, Gender and Cultural Politics |
Trinh Minh-ha |
1991 |
Book |
|
Celtic Language, Celtic Culture |
Daniel Melia |
1990 |
Edited Volume |
|
Hard Core: Power, Pleasure and the “Frenzy of the Visible” |
Linda Williams |
1989 |
Book |
|
Zone 3: Fragments for a History of the Human Body, Part 1 |
Ramona Naddaff; Michel Feher; Nadia Tazi |
1989 |
Edited Volume |
|
Woman, Native, Other: Writing Postcoloniality and Feminism |
Trinh Minh-ha |
1989 |
Book |
|
Zone 4: Fragments for a History of the Human Body, Part 2 |
Ramona Naddaff; Michel Feher; Nadia Tazi |
1989 |
Edited Volume |
|
Zone 5: Fragments for a History of the Human Body, Part 3 |
Ramona Naddaff; Michel Feher; Nadia Tazi |
1989 |
Edited Volume |
|
Surname Viet Given Name Nam |
Trinh Minh-ha |
1989 |
Film |
|
Literature and the Question of Philosophy |
Anthony Cascardi |
1989 |
Edited Volume |
|
En minuscules |
Trinh Minh-ha |
1987 |
Book |
|
The Bounds of Reason: Cervantes, Dostoevsky, Flaubert |
Anthony Cascardi |
1986 |
Book |
|
Naked Spaces – Living is Round |
Trinh Minh-ha |
1985 |
Film |
|
African Spaces: Designs for Living in Upper Volta |
Trinh Minh-ha |
1985 |
Book |
|
Re-vision: Essays in Feminist Film Criticism |
Linda Williams; Mary Ann Doane; Patricia Mellencamp |
1984 |
Edited Volume |
|
Reassemblage |
Trinh Minh-ha |
1982 |
Film |
|
Figures of Desire: A Theory and Analysis of Surrealist Film |
Linda Williams |
1981 |
Book |
